
Wayne Scott Kermond: Making 'em laugh.
Wayne Scott Kermond is about to star as Max Bialystock,
morally bankrupt Broadway producer and seducer of little old ladies in The Producers.
The song and dance man shares his showbiz tips and talks everything from family to fast cars.
How are you today?
Good, I’m breathing.
Were you really born in a trunk?
No, I was born in a hospital but they carted me out in a trunk. And I went on the road with my Mum and Dad.
You were recently in Japan. Are you big there?
Yes!. In Australia I’m short, but in Japan I’m tall…Actually, there’s a great Jazz scene in Japan, I love it.

Friendship! Amanda Harrison as Reno and Wayne as Moonface, Anything Goes
You’ve played everyone from Moonface Martin in Anything Goes, Cosmo Brown in Singin’ In The Rain to a motion capture penguin (Lovelace) in Happy Feet. What has been your favourite role so far?
They ‘re all special because they have all been so unique. Cosmo Brown; I loved doing the “Make ‘em Laugh” routine, and running up the wall 8 times a week. Moonface Martin was such fun, and I got to work opposite the delightful Christie Whelan. I loved working on Happy Feet , George Miller directed me, and I got to bring Robin Williams vocal antics to life.
You’re more than a triple threat, you sing, dance, act, write and produce. What tips would you borrow from Max Bialystock, the world weary, morally bankrupt Broadway producer?
As Max says,”Never put your own money in the show. Get it? Got it. Good.”
Complete this sentence: “When not onstage, Wayne is usually found…“ working on my craft, keeping fit and spending precious time with my family.”
Who is your hero? And why?
My wife is my hero. She gave birth to our son who constantly inspires us. And my showbiz heroes would be Sammy Davis Jnr, Donald O’Connor and the Marx Brothers. Anyone that makes me laugh and are great physical comics.
What was the first show you saw?
Gypsy when I was 10…And then ended being in the show as a tap dancing sailor!
Samson had his hair; Clinton had his interns…what’s your weakness?
Motorbikes, boats and fast cars.
And finally…
Why did the chicken cross the road?
She didn’t, she was chicken.
Thanks Wayne!








Adapted from the work of classical composer Alexander Borodin, the 1953 Tony winning musical has an exceptionally lush score. Giving a superb performance of the score, it is wonderful to see Orchestra Victoria featured downstage, adjacent to the action rather than framing it. Full credit goes to Musical Director Peter Casey for having musicians and singers sounding so beautiful.
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